Wisdom Teachings with David Wilcock: Out with the Old and In with the Floating Cities – Further Disclosures, Plus an In-Depth Investigation into the Concept of 4th Density 

WikiLeaks reveals Sony’s hidden ties to Washington

“The Sony Archives show that behind the scenes this is an influential corporation, with ties to the White House (there are almost 100 U.S. government email addresses in the archive), with an ability to impact laws and policies, and with connections to the US military-industrial complex,” WikiLeaks said.

According to WikiLeaks, Sony Pictures’ CEO Michael Lynton is on the board of trustees of the RAND Corporation, which the whistleblower website described as “an organization specializing in research and development for the United States military and intelligence sector”.

WikiLeaks said its newly released trove of documents brings to light the “flow of contacts and information” between Sony’s US subsidiary and RAND. This ranges from Sony setting up celebrity visits to special events for the military research company, to RAND offering advice to Sony Pictures on how to handle blowback from North Korea over the film, The Interview.

In total, the trove includes more than 30,000 documents, collectively dubbed by WikiLeaks as “The Sony Archives”. The documents were first leaked online late last year by hackers.

Following this article, David Wilcock makes the point that this information shows a situation which is completely contrary to what media is supposed to be. When we watch television or movies, many of us expect to be watching nothing more than pure entertainment. However, this information from Wikileaks tells a completely different story. Here we see the that Michael Lynton, the CEO of Sony, is on the board of trusties of the Rand Corporation.

RAND’s Politics Aside – A Can’t Miss Experience in Santa Monica

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We’re pleased to have the current director of the NSA join us for what will be a dynamic day of discussions.

Admiral Michael S. Rogers

Commander of U.S. Cyber Command and Director of the National Security Agency/
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FW: Snowden Final DRAFT

From: Weil, Leah
Sent: Tuesday, May 13, 2014 12:00 PM
To: Guerin, Jean
Cc: Klein, Megan; Kaplan, Todd; Sipkins, Charles
Subject: RE: Snowden Final DRAFT

Privileged and Confidential

Jean – a few comments

1.        In the first sentence of the second paragraph – delete the phrase “illegal spying” and either leave it simply as “operations” or replace it with “intelligence gathering” – so the clause would read “U.S. government’s intelligence gathering operations.”

2.       In the second sentence of the second paragraph – delete the phrase “misuse of power” and replace it with “actions” or “activities” so that it would read “the NSA’s actions” or “the NSA’s activities”

I  wonder in his quote whether we want to have him say it is a “political film”.   That’s really more of a PR point so up to you guys – and I suspect since it is his own quote Greenwald will feel strongly.

Please also ensure that the use of quotes from the reviews is an accurate portrayal of what was said.  Because they are excerpts we want to make sure that there is no change in the meaning etc. and that the attributions are correct.

From: Guerin, Jean
Sent: Tuesday, May 13, 2014 10:42 AM
To: Weil, Leah
Cc: Klein, Megan; Kaplan, Todd
Subject: Snowden Final DRAFT

Hi Leah,  We thought you might want to review attached before it goes out to the media. Greenwald has been given creative input on this release – as a matter of fact, it cannot go out without his final approval.  Please let us know what you think.  Ideally as Greenwald is on a world press tour right now, we’d like to announce this afternoon or early tomorrow morning.

Thanks as always, Jean

We’ve Just Developed a Portable Cloakig Device

If you’re a non-magical being, you might think your chances of becoming invisible are slim to nil. But don’t jump to conclusions just yet: Researchers are now claiming to have developed a portable system that can make small objects, like your keys or pet lizard, disappear from sight.

The key to real life invisibility lies in clever optical tricks that bend light around an object, shielding it from detection. In principle, such technology has only been demonstrated for very tiny objects, but now, a group of researchers from the Karlsruhe Institute of Technology say they’ve developed a scaled-up system that can be ported around and used for classroom demonstrations.

When the KIT researchers want to cloak an object, they place it inside a hollow metal cylinder coated with acrylic paint, which diffusely reflects light. That metal tube is then embedded inside a light-scattering PDMS block. If the time it takes light to travel through the block is just the right proportion of the time it takes light to travel through the cloak, the cloak becomes invisible. Or so the researchers say—the first actual demonstration of this technology will take place on May 13th, according to a press release.

As Gizmodo reveals, scientists “just” developed a technology which has the ability to bend light around objects so that they become invisible.  However, as we have heard, this technology is not at all limited to small objects within metal tubes.

Crystal Links – Montauk Project

Wilcock explains the likelihood that this technology exists on a grand scale, and that the ships we hear of within the Secret Space Program commonly use this cloaking technology to mask their operations from view.  He tells of how there could be major thoroughfares in the sky full of ships and we would not be able to tell.  It may be that the cabal is pushing this information of cloaking technology out to the mainstream so as to prime the public for their PR salvage plan.

Project Camelot Interviews Dr. Pete Peterson

The discussion moves to the Avengers movie series, and how this series seems to have numerous soft disclosures of the various technologies the cabal possesses.  David Wilcock mentions the testimonies of Dr. Pete Peterson on how the floating aircraft carrier depicted in these movies was almost exactly the way the actual carrier appears.  It is very likely that this cloaking technology is used to mask these carriers despite their massive size, according to Wilcock.

Marvel To Publish An ‘Illuminati’ Comic?

The Illuminati are the secret society that rule the world. Originally the Bavarian Illuminati of 1776, the phrases has reoccurred over the years, more popularly used now to describe groups like the Bilderberg group, the idea of the New World Order, made up of the most powerful people, controlling us in an undemocratic fashion. Possibly lizards.

In the Marvel Universe, the Illuminati are a group invented by Brian Bendis that comprise the cleverest, most powerful “good” people in the Marvel world, state leaders, great thinkers, great inspirers. They were originally Mister Fantastic, Iron Man, Professor X, Namor, Black Bolt and Doctor Strange, though their membership has changed over the years, with Medusa, Beast, Black Panther, Captain America and Amadeus Cho, Medusa, Yellowjacket, Captain Britain and “Doc Green” Hulk joining their ranks.

Well, last week Marvel registered the trademark for “Illuminati” for  “Comic books; printed periodicals in the field of comic book stories and artwork”.

This usually means that Marvel are planning a comic book of the same name and are getting the trademark in early, or that the TV/movie/games wing of the publisher is pursuing something along those lines and they want to shore up the comic book name rights against anyone who fancies trying it on, or someone is proposing a legal challenge.

Copyright Law of the United States

The part about this stunt that irked me at first was the fact that it demonstrates just how little the cabal contributes to anyone but themselves.  The cabal/Illuminati can’t seem to do anything on their own, and seem to require the creativity of others to do whatever it is they aim to do.  We see them buying themes and franchises, buying characters, buying popularity, but when it comes down to it, all they themselves have is a load of worthless monopoly money.  With regard to newness in creativity, they don’t have anything to add.  This is the likely reason why Hollywood has turned to producing nothing but unnecessary remakes and Luciferian propaganda.

“Hey, look!  It’s Kim and Kanye.  You like Kim and Kanye!”

Kanye West denies that he is an Illuminati member: ‘We don’t run anything; we’re celebrities’ 

The part about this that I find so funny is how detached this cabal reveals themselves to be from the rest of humanity,  We see them trying so desperately to win the approval of the people they want to kill and enslave, but no matter how hard they try, it remains clearly obvious that they don’t know what they’re doing at this point.  I can’t help but be reminded of the Clinton campaign, where no matter how many selfies they take, no matter how many speeches they give, debate results they rig, or approval ratings are twisted to their own advantage, it is painfully obvious that this campaign is destined for failure without millions in bribe money being tossed at it.

(Instead of receiving their much-desired admiration, the cabal seems to have become either an object of hate, or a laughing stalk in the eyes of most people.  I’m not a fan of the hate, but I can understand the anger many people feel.)

Here are a number of my own observations on Tron Legacy, along with the possible implications which were intended within the film’s presentation.

Interesting Observations from Tron Legacy

The main character has excessive, inherited wealth (the legacy of his father).

In the movie, we have Sam Flynn, depicted as the general cabal member, with wealth he didn’t earn, a huge company he didn’t build, and far more resources than wisdom.

Sam Flynn

The main cast includes Caucasian males (the “Aryan” stereotype) with one woman who is a programmable automaton.

As we have seen, the cabalist group mostly consists of chauvinistic, Nazi-esque racists. These people believe that their trait of light skin is one of several traits which signify their superiority over all ethnicities.  (This partially in reference to Plato’s writings on Atlantis.  Within the Critias, it is suggested that Atlantis was largely populated by E.T.’s who had very fair skin while the rest of humanity consisted of various darker shades.) Consequently, the cabal believes themselves to be superior partially due to their complexion.

Quorra (on the left) – An A.I. character who naturally originated from the digital world and represents the A.I. which the cabal is intent upon pushing on humanity.

They also believe that women are nothing more than puppets.  (They actually believe this about all those subservient, but women are considered the lesser of the sexes.)  They use women as tools for pleasure and as programmable blank-slates upon which they can apply any personality they wish. (This is much of what was uncovered fromProject MK Ultra.)

The main character is over-privileged and above the law.

The movie starts out with a bike/police chase during which Sam Flynn gets away without any issue. This is followed by a scene in which Sam breaks into his own software company, steals a brand new program they just designed, and makes a daring and entertaining escape. We see him get arrested, but he immediately gets out of jail. (There is even one scene which takes place within the digital world where Sam gives his light cycle away to a poor man. At first, it looked like a gift, but it was only for the purpose of framing the poor man so that the police would go after this random person instead of Sam.)

Sam’s attempted escape from the police

One of the reasons the cabal thinks they can do anything they want is because they believe that everything belongs to them. (This includes people as well.) They believe that the law does not apply to them because they are ‘supreme over all’. They also believe that it is completely fine for the poor and innocent to pay for their (the cabal’s) crimes while they themselves escape untouched.

The only people of color in the movie are completely silent.

As mentioned before, the cabal believes that they come from superior E.T. stock and that the rest of us represent various degrees of inferiority.  (Not to prejudge differences based upon anyone’s skin color, but these are the beliefs of this criminal organization.  Personally, I like the variety we have as the human race, and I invite everyone to have this appreciation for self and for all others.)  There is one exception to this silent characteristic. There was one woman who was a servant of the digital system (a programmable automaton) who had one line. Her words were, “He’s different”.

The moment Sam is processed for the “Games”

This seems to be a message to the audience that the cabal is different than the rest of us “programmable automatons”, and that they deserve to be given special treatment. This makes sense in a movie, but in real life, it is completely twisted in my view.

All of the commoners and poor are slaves who are Forced To Fight each other in The Games.

This trend made for nice entertainment, but this is quite literally the exact situation the cabal has deliberately created in the real world. We see in the movie that the grandiose and exciting Games scenes are filled with big choreography, acrobatics, and special effects. As entertaining as this is, we may want to realize that this is exactly how the cabal views war here in the real world.

The moment when Sam is first captured in the digital world

We may realize that this group is full of psychopaths who care very little about the lives of anyone but themselves. However, this movie seems to portray not just a carelessness for the loss of human life, but that this group actually gets a certain thrill from the suffering and death they cause.

The main characters have supernatural protection in the form of Tron.

Sam Flynn comes from a life of privilege beyond that of anyone else in the movie. To add to this privilege, Sam seems to have a supernatural guardian who gives him special treatment after realizing who he is. Tron basically makes sure that the group of heroes in the movie get out of the digital world safely, while everyone else is left to fend for themselves.  (We may note that Tron calls these privileged heroes “Users”.  This may have a double meaning–one referring to computer users, and the other referring to those who manipulate others for their own advantage.)

The entire world is dark except for Kevin Flynn who bears much resemblance to Lucifer.

In the movie, Kevin Flynn is the creator of the program world. Only he has the ability to create and to change the world in the unique way which he does.

Lucifer robed in shrouded light

Kevin is distinguished from the rest of the programs because of his dress in many difference scene. He is robbed in light while the rest of the characters only have partial light shining from their technical-looking attire. It is known among the programs/people that Kevin came from the sky from another place and is unique among everyone else. In this way he symbolizes a Lucifer-like character and serves as a sources of knowledge for the whole civilization of programs.

The villain, CLU, wants equal rights for everyone.
Within this movie, the villain CLU is excessively insane, malevolent, and bent on revenge against Kevin Flynn. Throughout the movie, he is obsessed with hunting Kevin down and exacting his vengeance, but Kevin is too cunning.

The digital people who desire equality with the “Users” in the real world

Toward the end of the movie, we find out that clue’s plan is to escape the digital world into the physical world, which was a completely improper situation as the movie portrayed. It is at this time when we see the twisted views of the cabal with regard to human rights.

As CLU gives his speech to the crowds of digital people he states his goal of giving all of the programs/people the same rights as the privileged humans, while the position of the hero’s of the movie is that only they deserve exclusive privilege. To them, it is improper to give their privilege to mere programs, and this makes sense for the context of the movie. However, this is not at all just a movie plot. This is how the real cabal sees the rest of humanity. To them, WE are the programs, and they are the sole and rightful recipients of privileged. To them, equal-rights activists are actually “evil”.

When Sam and Quorra leave, the entire digital world and all of the people are destroyed.
At the end of the movie, through various events, Kevin Flynn is unable to return to the real world, and Sam (the son) and his female program, Quorra,  have to leave him behind. After these two leave, there is an explosion which creates a shock wave that destroys everything and everyone within the digital world.  The final scene of the digital world includes Sam Flynn robed in light just as his father was.  In essence, this signifies Sam’s continuing the legacy of his father, who happens to represent Lucifer.

The child of Lucifer taking his place…  This could be considered a representation of the cabal.

A depiction of the “light”, “benevolence”, and “power” of Lucifer.

As we have heard from Wilcock and various sources, the cabal has planned in the past, a retreat for all of their personnel from the planet. After this retreated, they intended to destroy the surface population through a nuclear attack or by some other means. This would have been their way of starting the Earth off from scratch and depopulating the planet as they have wanted to for a long while. Thankfully for us, none of this was ever authorized.

20.27Questioner: I will make this assumption, then: if maximum efficiency had been achieved in this 25,000-year period the entities would have polarized either toward service toward self or service to others, one or the other. This would have then made them harvestable at the end of that 25,000-year period to either service-to-self or service-to-others type of fourth density, in which case they would have had to move to another planet because this one would have been in third density for fifty more thousand years. Is this correct?

Ra: I am Ra. Let us untangle your assumption which is complex and correct in part.

The original desire is that entities seek and become one. If entities can do this in a moment, they may go forward in a moment, and, thus, were this to occur in a major cycle, indeed, the third-density planet would be vacated at the end of that cycle.

It is, however, more toward the median or mean, shall we say, of third-density developments throughout the one infinite universe that there be a small harvest after the first cycle; the remainder having significantly polarized, the second cycle having a much larger harvest; the remainder being even more significantly polarized, the third cycle culminating the process and the harvest being completed.