Enki has been interpreted as The Lord of Earth; He was the stepbrother of the god Enlil, and son of An.

His sole mission was to create men and to encourage other deities to believe in them. Enki was also the original patron God of the ancient city of Eridu, and his influence spread throughout history throughout Mesopotamia and to the Canaanites, Hittites and even Hurrians.

Interestingly, Enki was associated with the southern band of constellations called stars of Ea, but also with the constellation AŠ-IKU—Pegasus, a constellation in the northern sky.

Sometime during the second millennium BCE, Enki was referred to in writing by the numeric ideogram for “40,” which was also referred to as His “sacred number.”

Enki is the creator of mankind—according to what is told in the epic legend Acadia of Atrahasis—solely for the purpose of releasing the gods from their work. Enki used an existing hominid which he (Genetically?) manipulated in some in order to make man capable of understanding and meet the needs of the gods.

He is also later considered mankind’s savior since he warned Ziusudra of the universal flood.

The Universal flood was brought upon mankind by Enlil, the “Lord of Heaven (air or atmosphere)”.
Before the divine assembly, apparently worried about the excessive proliferation of the human race and uncanny behavior Enlil proposed to put an end to humanity.

Enlil managed to convince the rest of the gods, gathered in assembly, to authorize the extermination of Humanity.

This legend probably gave rise to the later biblical account of Noah and the universal flood.

He was the master shaper of the earth, god of wisdom and of all magic, Enki was described as the lord of the Abzu (Apsu in Akkadian), the freshwater sea or groundwater located within the earth— where “primordial waters” flow.

He is also the creator of the apkallu (ab-gal-lu “great man-fish” in Sumerian) who during the day taught men in all kinds of subjects, and at night they retired to the bottom of the sea…

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This video is fair use under U.S. copyright law because it is non-commercial, transformative in nature, uses no more of the original work than necessary for the video’s purpose, and does not compete with the original work and could have no negative affect on its market.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for -fair use- for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

A group of explorers has discovered in a Mexican cave evidence what they boast as the best evidence of alien contact on Earth.

The group of explorers recently visited the cave and explored it in detail.

The cave—part of three caves actually—is located between the cities of Veracruz and Puebla.

In two of the cases, researchers made unexpected discoveries including several carved stones with images that represent alien related engravings.

Furthermore, the group of explorers discovered a number of golden items in another cave.

On the surface of the stones, the group of researchers found evidence of what many people interpret as ‘extraterrestrial ships’ and ‘humanoid beings’; one of the stones, which was apparently fractured sometime in the past, supposedly shows the upper part of a spaceship together with a being which according to some people, is not from this world.

The depicted image features an alleged alien being standing next to an ancient ruler of a pre-Hispanic culture receiving a corncob, in addition to some other symbols that are still to be deciphered; these artifacts were dubbed “stones of the first encounter.”

The entire story sounds too good to be true—but is it?

It is reported that local legends speak of a mysterious ‘ship’ that has remained since time immemorial, hidden somewhere near the caves.

This was the main reason why the group of explorers set out to search the area three months ago.

Their search has yielded totally unexpected results. They have come across—what they believe is—the ultimate evidence that aliens beings visited Earth thousands of years ago, and had direct contact with ancient cultures inhabiting Mexico at that time.

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Kundalini is an energy that is latent in the human body at the base of the spine. When this force is “awakened,” it can be transposed up or downwards, along with the central axis of the body (the spine) to the crown or lotus in (SAHASRARA).

The Tantric tradition mentions the existence of seven energy centers, all stages or phases of the creation process. In Sanskrit, the adjective kundalin means ‘circular’ while in Tantrasadbhava Tantra the term means ‘ring, bracelet or coil.’ The Yoga Upanishads describe Kundalini as being ‘coiled’ at the base of the spine and is represented by a snake or serpent.

Like any energy of creation (prana, electricity, atoms) this energy too can be activated and even misused by those who are not spiritually motivated or have not completed this process and are therefore not free of personal patterns.

Numerous accounts describe the experience of Kundalini awakening.

When awakened, Kundalini is said to rise from the Muladhara chakra through the central Nadi (called Sushumna) inside or alongside the spine and reaching the top of the head.

The progress of kundalini through the different chakras leads to different levels of awakening and mystical experience until Kundalini finally reaches the top of the head, Sahasrara or crown chakra, producing an extremely profound transformation of consciousness—Swami Satyananda Saraswati India: Bihar School of Yoga. pp. 34–36.

Sometimes the Kundalini rises so that it goes beyond the top of the head. Once here, it provokes the appearance of a mystical state of consciousness, indescribable ecstasy, in which duality ceases.

Kundalini resides in the body of each person in the appearance of the Transcendental Power that precedes and accesses the entire Macrocosm—the whole of a complex structure, particularly the world or universe, contrasted with a small or symbolic part of it…

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Could this really be an alien UFO?

Alien hunters believe this is the ultimate evidence there is a deep connection between Ancient Egypt and otherworldly beings.

The object seen on top of the Sphinx is unlike any other “boat“ seen in ancient Egyptian mythology.

In fact, it’s unlike anything previously seen in their iconography or symbolism.
There are similar depictions of alleged flying machines at the temple of Seti I, but these have been debunked as being the result of palimpsest.

The curious object seen in the vignette from the Djedkhonsuiefankh funerary papyrus was painted by the ancients as a Disc that radiates extremely bright light, and when you take a look at modern-day depictions of UFOs, it kinda looks exactly how people would describe a UFO today.

This ancient papyrus—you can see it here—is featured in a study titled: Cosmic Space and Archetypal Time, Depictions of the sky-goddess Nut in three royal tombs of the New Kingdom and the relation to the Milky Way, by Amanda-Alice Maravelia.

And if we take a close look at the ancient manuscript, it’s clear that it is a disc-shaped object which has a radiating dome on top. It is depicted as having ‘landed’ on the Sphinx, with three leg-like tripods seen protruding from the object.

But what makes the Sphinx so special? And what if this really is a UFO—and not a plant or some sort of bug?

Yup, could be a plant-flower, or even some sort of but? Right? What if there is another explanation as to what the object is? I meant just because it looks like a disc-shaped object that’s landed on the Sphinx, doesn’t mean it is one…

The truth is that the origin of the Sphinx is unknown and that doesn’t really help much when you see a papyrus like this one.

The degree of erosion that we see on it suggests it dates back to 10,000 BC. It’s an ancient monument whose secrets have remained hidden for thousands of years.

It is reported that researchers have found passages into hidden chambers beneath the Sphinx and some even venture out and say that the Sphinx may hold the truth behind our very existence.

It is rightfully referred to as one of the most mysterious monuments on the surface of the planet…

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Several rock paintings found in the Chhattisgarh cave in India have given rise to countless conspiracy theories related to Aliens. While many remain unconvinced that these ancient paintings are evidence of alien contact, locals people, and even researchers say it’s very possible.

The paintings show scenes that are believed to have been painted more than 10,000 years ago, in which several strange beings—and UFO like objects—appear to come down from the sky. The cave paintings feature several „spheres“ which scientists have not been able to identify.
The cave paintings are out of this world.

The archeology department in the area is believed to have asked the ISRO space agency for help in determining the strange nature of the paintings.

Could this be the ultimate evidence that supports the Ancient Astronaut theory that presupposes intelligent extraterrestrial beings visited Earth and made contact with humans in antiquity and prehistoric times?

According to comments made by JR Bhagat, there is no question that these paintings depict anything other than extraterrestrials.

Archaeologists believe its evidence of a forbidden history that has survived only because it was written in stone.

In addition to the award creatures and disc-shaped objects, many of the paintings are the usual drawings of humans, animals and everyday life in 8,000 BCE. But it also stunned many because some depict kangaroos and giraffes (not native to India at all) and fish-like-creatures…

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